The Last Thing You’ll Hear follows sisters Wren and Lark, who seem more like rivals than sisters. So when a mysterious music producer and his DJ prodigy come to their small town, both sisters are desperate to impress. Lark is the one who is taken under the producer’s wing, but Wren can’t help feeling that there’s something sinister going on as Lark distance herself from her friends and family.
But when the sisters get the chance to perform at the most-talked-about music festival of the summer, Enrapture, things come to a head a there’s a lot to lose. Can Wren put her jealously and ambitions to save her sister, or is it too little, too late for them both?
A twisted thriller set at a music festival? Sign me up!
Anyway, I am thrilled to be hosting a guest post about the power/dangers of music and why festivals are the perfect place to set thrillers, written by Jan Dunning. Some of you might know her from her debut thriller, Mirror Me, a twisted fairy-tale inspired thriller set in the world of high fashion…
Before I past you over to Jan’s guest post, I just want to thank her for finding the time to write this for this tour and huge thank you for Blue at Kaleidoscopic Tours for allowing me to tag along on this tour. If you want to say hi to Jan, you can do so on either Instagram and X/Twitter, and if you want to know more about The Last Thing You’ll Ever Hear, please check it out at uk.bookshop.org (Affiliate Link Alert).
Now, with that out of the way, over to Jan!






















