Sunday, 22 March 2026

Reads I Quit So Far in 2026

We're not at the end of March and I have quit so many reads. I didn't finish *deep breath in* Wuthering Heights by Emily Bronte, Fellowship of the Ring by J.R.R Tolkien, Tea & Alchemy by Sharon Lynn Fisher, Domination by Professor Alice Robert, Hidden in Snow by Viveca Sten (with Marlaine Delargy as translator) and, a few days ago, Thirty Love by Tom Vellner.
 

Now, I have written blogposts about my decision to quit Wuthering Heights and Fellowship of the Ring. The others, not so much. The first three of these four (Tea & Alchemy, Domination and Hidden in Snow) were impulse audiobook reads that intrigued me, but the stakes were low. I tried, I went "Not my cup of tea", returned audiobooks back to library or Kindle Unlimited and moved on with my life. 

But the last one - Thirty Love - really annoys me. I preordered this and had such high hopes. I saw the cover and read the blurb and went "This is gonna be a good! A steamy MM romance set in the world of tennis. Sign me up!". And I gave it a good go - 44%. But this was just meh, and not exactly what the blurb promised. 

I was expecting heat, passion, longing. Instead I got a slow burn romance. A slow, slow burn. Our two leads were beginning to become more civil to each other (they are tennis rivals after all), but also, this is more weighty than I was expecting: our lead's dad (who is his coach) has MS and there is another medicinal situation, we see homophobia, sexism. 

So yeah, this is a little dry and not hitting that sweet spot for me. It's heavier than I was expect and I want heat, passion, hot yet tender moments. Oh no, am that gif from Grey's Anatomy.


What annoys me is I have several preorders on Audible and Amazon (I know, am a monster) and this is making me second guess myself. Do I still trust myself over my upcoming preorders (Seek the Traitor’s Son by Veronica Roth, Massif by Garth Nix, The Open Era by Edward Schmit, Andromeda by E.S. McLeod and The Shadow Friends by Tess Gerritsen)? Hopefully not as most of these are from authors I trust, but when you go through a lot of quitting reads/audiobooks, it makes you doubt yourself…

Hopefully, over the next few weeks, I will get my groove back. I do want to try A Court of Thorns and Roses but might hold fire for a niceness in deep with my crime reading… I shall report when I do a reading wrap-up/update! 

SWANSEA UNIVERSITY DYLAN THOMAS PRIZE ANNOUNCES SHORTLIST 2026

WORLD’S LARGEST PRIZE FOR YOUNG WRITERS: SWANSEA UNIVERSITY DYLAN THOMAS PRIZE 2026 ANNOUNCES SHORTLIST

 


HARRIET ARMSTRONG | COLWILL BROWN | SASHA DEBEVEC-MCKENNEY

SUZANNAH V. EVANS | SEÁN HEWITT | DEREK OWUSU

 

www.swansea.ac.uk/dylan-thomas-prize | #SUDTP26 | @dylanthomprize 

 

Swansea, Thursday 19 March 2026: The shortlist for the world’s largest and most prestigious literary prize for young writers – the Swansea University Dylan Thomas Prize – is announced today featuring six extraordinary, emerging voices, whose writing explores love and beauty, society and gender – with a distinct focus on coming of age stories.

 

Comprising four novels and two poetry collections, the shortlist is:

 

- To Rest Our Minds and Bodies by Harriet Armstrong (Les Fugitives) – novel (UK)

- We Pretty Pieces of Flesh by Colwill Brown (Chatto & Windus, Vintage) – novel (UK)

Joy is My Middle Name by Sasha Debevec-McKenney (Fitzcarraldo Editions) – poetry (US) 

- Under the Blue by Suzannah V. Evans (Bloomsbury Poetry) – poetry (UK)

- Open, Heaven by Seán Hewitt (Jonathan Cape, Vintage) – novel (UK)

Borderline Fiction by Derek Owusu (Canongate) – novel (UK)

 

Irenosen Okojie MBE, Chair of Judges, said: “This is a marvellous, galvanising shortlist. We're thrilled by the scope, breadth and depth of these works across forms. These books have profound things to say about the ways we live, what it means to be human and overall are propulsive reads that imbue the writing space with new energies.”

 

The two poetry collections on the shortlist are both by debut writers: American poet Sasha Debevec-McKenney, who draws on sex, race, addiction, and pop culture in Joy is My Middle Name (Fitzcarraldo Editions); and Bristol-based Suzannah V. Evans, with her poetry collection Under the Blue (Bloomsbury Poetry), a deeply candid exploration of both the shimmering beauty of life and the realities of care.

 

Two out of the six shortlisted authors have previously been nominated for the award. British-Irish author Seán Hewitt, nominated in 2025, has been chosen again for his heart-breaking novel Open, Heaven (Jonathan Cape), an exhilarating story of hidden desire on the cusp of adulthood. Meanwhile, 2023 prize nominee Derek Owusu is shortlisted for his contemporary tale Borderline Fiction (Canongate), a close-up, sometimes uncomfortable, sometimes funny examination of what it means to be a young black man navigating today's world.

 

Coming of age is a big theme throughout all four shortlisted novels: Harriet Armstrong, the youngest shortlisted author at just 25, is in the running with To Rest Our Minds and Bodies (Les Fugitives), her first novel which confronts thorny gender relations, consent, and unravelling mental health within Gen Z. Finally, Colwill Brown is also recognised for her debut novel, We Pretty Pieces of Flesh (Chatto & Windus), which takes you by the hand and leads you through Doncaster’s schoolyards, alleyways and nightclubs in the early noughties.

 

The shortlisted titles were selected by a judging panel chaired by Irenosen Okojie MBE, award-winning Nigerian British author of Curandera, Butterfly FishSpeak Gigantular and Nudibranch, and former Women’s Prize for Fiction judge, who is joined by: Joe Dunthorne, award-winningSwansea-born poet and novelist; Nidhi Zak/Aria Eipe, poet, pacifist and fabulist; Prajwal Parajulymulti-award nominated author of The Gurkha’s Daughter and Land Where I Flee; Eley Williams, acclaimed author and Fellow of the Royal Society of Literature.

 

Joe Dunthorne on To Rest Our Minds and Bodies by Harriet Armstrong:

“An electrifying experience, a brilliantly sustained journey into love and obsession – told with a voice that is fresh, funny and completely its own.”

 

Nidhi Zak/Aria Eipe on We Pretty Pieces of Flesh by Colwill Brown:

“A full-throated, intimate look at girlhood, growing up, what it means and what it takes to feel like you belong. An anthem to first friendships, to the places and people that make us and change us, to the things we can and cannot say, to the selves that we become.”

 

Irenosen Okojie on Joy is My Middle Name by Sasha Debevec-McKenney:

"Glorious. This is a collection teeming with multitudes. Unstoppable, hilarious and incandescent."

 

Eley Williams on Under the Blue by Suzannah V. Evans:

“Alert to the intimacies of caring and keening, of all-too-easy frictions and fraught hard-won joys, Evans’ collection is an intricate and rewarding work of contemporary literature.”

 

Prajwal Parajuly on Open, Heaven by Seán Hewitt:

“A tender exploration of love and desire—heart-rending and deeply lyrical.”

 

Irenosen Okojie on Borderline Fiction by Derek Owusu:

“A forensic meditation on complex Black British male identity. Full of heart and tenderness."

 

The British Library will host a shortlist celebratory event on Wednesday 13 May with the winner announced during a ceremony in Swansea onThursday 14 May, marking International Dylan Thomas Day.

 

Worth £20,000, this global accolade recognises exceptional literary talent aged 39 or under, celebrating the international world of fiction in all its forms including poetry, novels, short stories and drama. The prize is named after the Swansea-born writer Dylan Thomas and celebrates his 39 years of creativity and productivity. The prize invokes his memory to support the writers of today, nurture the talents of tomorrow, and celebrate international literary excellence.

 

Last year’s prize was awarded to Palestinian writer Yasmin Zaher for her novel The Coin, and previous winners include Caleb Azumah Nelson, Arinze Ifeakandu, Patricia Lockwood, Max Porter, Raven Leilani, Bryan Washington, Fiona McFarlane, and Kayo Chingonyi.

Press Release - Jonathan Stroud as FCBG’s Inaugural Patron

Federation of Children’s Book Groups announces Jonathan Stroud as its inaugural patron 


The Federation of Children’s Book Groups is delighted to announce that Jonathan Stroud is to become their inaugural patron. As patron, Jonathan will champion the FCBG and raise awareness of its work bringing children and books together.

Jonathan says “I’m honoured and delighted to become the inaugural patron of the Federation of Children’s Book Groups in this, the National Year of Reading. For almost 60 years, the FCBG has been at the forefront of championing children’s reading in the UK. Its commitment to authors, illustrators, librarians, teachers and – most importantly – to young readers themselves is second to none. I have witnessed this invaluable work throughout my life. My connection to the FCBG started as a child, when my mother was a member of one of the earliest book groups, in St Albans. Ever since, as an author and as a parent, I have benefited from the passion, guidance and commitment of FCBG members across the country. It is a privilege to deepen this connection today and I look forward to working with the FCBG to help share the joy of reading for everyone.”

Jane Etheridge, Chair of the Federation of Children’s Book Groups, says “We are thrilled to have Jonathan as our patron. Jonathan shares our aims and has a close personal connection with the FCBG, so he was the perfect choice when we created this role. We look forward to working with Jonathan in this National Year of Reading and beyond to promote reading for pleasure.”

Jonathan is kicking off his patronage via two high-profile appearances: he’ll be presenting a keynote speech at the FCBG’s annual conference in Reading in April and he’ll be doing an author/patron event at the first Wantage Children’s Book Festival in May.

Friday, 6 March 2026

Beth is Dead - 2026 Book Review

Today is the anniversary of Louisa May Alcott’s death, the author of Little Women. And, because of this, I thought it would be perfect to talk about this reimagining, even through most of us only know one real thing about Little Women:


I should attempt to read Little Women (but me attempts to read classics in 2026 have ended with me quitting them so maybe not). So, let's chat about Beth is Dead by Katie Bernet!

Title and Author: Beth is Dead by Katie Bernet
Publisher: Scholastic
Buy from (Affiliate Link): https://uk.bookshop.org/

We start at that moment: Beth is discovered dead after a New Year’s Eve party. But she didn’t die of natural causes. Beth is murdered. The Marsh family are in shock over the news - who would kill their sweet, little sister and for what possible reason? They’re all determined to find the killer, but with each sister having their own motives, is one of the Marsh sister’s a murderer? And does it have anything to do with their father's latest novel, entitled Little Women?

Tuesday, 3 March 2026

January & February 2026's Tops and Bottoms

Am going to try something a little different with my reviews. Am hoping this idea (which I am "borrowing" from Winn from Literary Diversions - hope you don't mind...)


No, I am not going to do their Bingo Board of Hell (my mood reading brain is my worse enemy on that front)! Instead, am doing their Tops and Bottoms. It's a Ronseal (it does exactly what it says on the tin) - basically, instead of writing up my thoughts on EVERY BOOK AND AUDIOBOOK, I pick a few and go "Here are the best and worse over the past few months. If I can sum these up in a few sentences/a Gif, I will, but not all. You can go to my Goodreads/Storygraph for that! (oh, I need to update reviews on these platform!)". 

So, let's start with some VERY basic stats: over the course of January and February, I have:
  • Read 6 eBooks
  • Listen to 4 Audiobooks
  • Did Not Finish (Quit) 4 Audiobooks